For my Muslim Women Writers course, I had to read Scheherazade Goes West by Fatema Mernissi. I thought the book was interesting and definitely worth reading. It is about the author Fatema Mernissi's quest to understand the varying perceptions about harems--women's prisons--in the East and the West. In this book, Mernissi makes an interesting argument about Muslim feminists by emphasizing the strong female historical and traditional characters.
Mernissi argues that in both cultures, patriarchy is manifested in two
different ways. In the Muslim world, women are more spatially repressed
by veils and where they are allowed to physically go. However, according
to Mernissi, the culture does not pretend that women do not have
intellectual capacities. Rather, higher percentages of women are in high
ranking science and business positions than in the Western world.
Additionally, female characters in Muslim folk tales and in their
history are depicted as strong; and women in harems were often expected
to entertain men with intellectual and artistic skill. This means that
these skills were important to the science of attraction in the Muslim
world. One example Mernissi gives is the character, Scheherazade, in
One Thousand and One Nights. Scheherazade is a female character who
cleverly tricks a cruel tyrant into allowing her to live--after he
repeatedly killed his lover. She tells him stories that require
psychological and intellectual skills, as well as the ability to control
her fear of losing her life (47-48). Scheherazade not only convinces
the king to fall in love with her and allow her to live, but she also
helps solve the kind's sociopathic psychological problems and guides his
decisions to be a more humane ruler.
Conversely, the West controls women in a more subliminal fashion--by
controlling their physical appearance through definitions of beauty that
are defined by men, and by stripping intellect from the list of
characteristics that are deemed "attractive." The western form of
patriarchy reduces the definition of the desirable woman to a mere body,
without intellectual capacity. While western women are allowed to be
more mobile society--they are free to attend school, participate in most
social events, and are technically allowed into all positions of work
(although few women achieve these positions). Mernissi illustrates this
by observing how the Western versions of the Scheherazade story strip
her of her intellectual power and reduce her to a beautiful creature who
enchants the king (68). However, Mernissi argues that, if this was the
case, the king would have killed her just like all of the other women.
Additionally, the Western form of patriarchy pressures women to conform
to an appearance that is unnatural for women--they expect women to
remain skinny like children. This is symbolic of how western men also
expect women to have the intellect of a child so they can patronize
them. Ironically, women who try to be skinny often suffer from
malnutrition, which makes them more passive, emotional, weak, and unable
to think clearly (218). Coincidence?
I
believe this book definitely makes an important argument about Eastern
vs. Western culture. Thanks to the mass media, Westerners commonly
believe that Muslim women (in general--yet Muslim women are just as
varied as Christian women) are extremely oppressed simply because they
wear a veil. However, Mernissi shows that many Muslim women are actually
empowered by the belief that their intelligence matters. Additionally,
they do not have to fulfill the same beauty expectations that women in
the West have to fulfill.
I do have some criticisms of the book. For example, Mernissi spends all
of her time studying the manifestation of patriarchy in Western and
Eastern bourgeois culture. While, in many cases, the ruling class
defines how men should treat women, I do not think this could even hint
at the conditions of the poorer classes in Muslim societies and Western
societies. Mernissi also ignores the political realities of many
Muslim countries that interpret the Koran in ways that oppress women. I
think these realities are much more important than abstract
manifestations of women in stories. However, the information in
Mernissi's writing is potentially empowering for women.
This book has inspired me to study feminism more. In the past, studying
issues that western women face has frustrated me beyond the ability to
further pursue research. However, now I can see how taking tid-bits from
each culture can empower me and show me that different visions of
attraction exist and therefore I do not have to conform to any
particular vision of attraction.
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